I used to have major misgivings about poetry as an art form. It always seemed either insipid or painfully cringe-worthy. As I've got older I've started to appreciate it more, but until recently I still had resistance to the idea of it being read aloud, especially from a stage and to an audience *shudder*. I'm really not sure why, when I love live music performance with lyrics so much. But anyway, all that has changed with the entrance of spoken word poetry into my life.
I wish I could say that it was a live show that changed my mind, but in fact it was just happening to watch a video of Cecilia Knapp performing this on iPlayer one day:
(I can't find the BBC video anywhere but this also has a TED talk and then a second poem that made me cry on it, so it's even better)
It made a big impression on me. Cecilia Knapp is amazing specifically, but there's something about spoken word in general that has the ability to be incredibly moving. Whether it's the rhythm, or the emotional intensity that comes from someone laying themselves bare to say these kind of things in person, not hiding behind ink on paper. Ooooh I could never do it. Imagine making yourself that vulnerable!
But there's another reason that I'm currently enjoying spoken word poetry so much and that is the fact that there are so many people who are evidently 'working-class' or from a minority group of various kinds (queer, POC, disabled) getting up on stage and just blazing out their point of view in an amazingly creative, intelligent and beautiful way. So many people being bold and inspiring and just destroying the kind of stereotypes my over-privileged-straight-white-boarding-school-posh-boy university contemporaries most definitely held about the other ends of the British spectrum. One really great example is Deanna Rodger:
I'm a class mongrel. Economically I was raised a member of the 'underclass', those who scrape along the UK poverty line - I grew up in a house where there was never any money, a house that was owned by the council, full of grotty threadbare carpets, mismatched furniture held together by parcel tape and walls that collected moisture. We didn’t have a washing machine, a toaster, a microwave, a car, a phone, or a colour TV and my clothes came from charity shops way before this became an acceptable way to dress.
I'm a class mongrel. Economically I was raised a member of the 'underclass', those who scrape along the UK poverty line - I grew up in a house where there was never any money, a house that was owned by the council, full of grotty threadbare carpets, mismatched furniture held together by parcel tape and walls that collected moisture. We didn’t have a washing machine, a toaster, a microwave, a car, a phone, or a colour TV and my clothes came from charity shops way before this became an acceptable way to dress.
Socio-culturally, though, I am pretty sure we were middle class (despite my parents' adamant assertion of being some kind of separate bohemian artisan class, sorry guys). My council house was also full of classical music, art and books. My parents encouraged knowledge acquisition and engagement with High Culture. My mum spent the tiny bits of money that she had on music lessons and healthy food - the things she felt were important and something I will always be grateful for, however much it frustrated me at the time. I don't have a regional accent. I do yoga and go to art galleries and use long words with no embarrassment. I'm called Felicity for god's sake. If you met me you would never in a million years guess I grew up qualifying for free school dinners, buying my uniform with a grant and only dreaming of one day owning name-brand anything.
As a kid my class mongrelity felt hard. I got picked on twice over; on the one hand for sounding posh and getting good grades, and on the other for having shit clothes and no car (because kids have no sense of irony). My academic performance and appreciation for creative cultural things didn't stop me having to live through the dragging, dreary greyness of being poor and never having what I wanted, never being able to do the things other people did. Years and years of life-drizzle, with no swimming lessons or trips to the cinema to brighten things up. I carried around the feeling of being inherently not as good as other people, of never being good enough, an underlying sense of shame.
But as an adult I am able to appreciate what it's given me - some understanding of what it's like to be 'othered', to be on the fringes, to struggle, to fight against a stereotype. It's helped me understand what absence of privilege means and appreciate what privileges I have. White privilege for instance. The advantages my non-regional accent and air of being middle-class give me. I try never to judge anyone before getting to know them and although I give off every impression of being middle-class, my sympathies lie very firmly on the working and under-class side of the divide - on the subaltern side of any divide. So all these spoken word poets out there waging this dazzling war on stereotypes? I blimmin love them. I might not be capable of this kind of thing myself, but I'm so glad that someone is. THIS IS WHAT THE WORLD NEEDS.